A richly illustrated guide to the glory years of Australia’s finest musical export. Published November 14, 2018, by Jawbone Press.

To fans and critics alike, the Bon Scott era 1973 to 1980 are the most significant of AC/DC’s five-decade career. In a prolific and frequently brilliant run, they recorded six studio albums, established a diehard fan base that stretched from Australia to the UK and Europe to North America, toured relentlessly, and created no small amount of controversy and chaos.

At one low point in Australia the band’s records were banned, their shows were cancelled, and they were hounded by the police all because Angus Young dared bare his spotty backside at a press conference. 

In the midst of the mayhem, however, they were building a body of work that remains unmatched in hard rock. Many of AC/DC’s classic songs were cut during this time: ‘Dirty Deeds’, ‘Rock’n’Roll Damnation’, ‘High Voltage’, ‘If You Want Blood’, ‘Whole Lotta Rosie’, ‘It’s A Long Way To The Top’, ‘Let There Be Rock’ and it says plenty that these fan favourites are still staples of the band’s live sets today.

Packed full of rare photographs and memorabilia, this large-format, full-colour book documents all the key events of this frenetic time. Beginning with the band’s very first shows in the bloodhouses of suburban Sydney, even before the name AC/DC had been dreamed up by Margaret Young, Malcolm and Angus’s big sister, and culminating with 1979’s Highway To Hell, the album that paved the way for the mammoth success of Back In Black and all that was to follow, and the untimely death of Bon Scott, which prompted both an end and a new beginning for the band.

As the late, great Malcolm Young quipped to Rock Star Magazine in 1977: ” We were a scandal in Australia. They love scandal there. Mums tugging their kids away from us on the street saying ‘Oh, look – THEM.'”

AC/DC
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About The Author

I began my career in journalism at the now defunct, pre-digital Smash Hits magazine, which was situated in London's Carnaby Street. After learning the ropes, I washed up at Vox Magazine, essentially the NME'S monthly magazine, as the Internet arrived into our lives. Thereon, I eventually graduated onto Q Magazine when people still treasured the magazine that they bought. My journalistic career since has been on newspapers at The Times, The Independent/i newspaper, Daily & Sunday Express and, ofcourse, National Rock Review.

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