Artificial Agent and Tommy Marz Band showed the crowd at Small’s that Detroit rock n’ roll can be heavy and fun, all at the same time.

October 17, 2014 was a night of good old Detroit home-brewed rock n’ roll and Small’s, in Hamtramck, Michigan was packed to see heavy hitters Artificial Agent and alt-pop rockers Tommy Marz Band.

Marz played an eclectic mix of old-school alt-rock tunes from his previous band, GoToZero, mixed with a litany of late-nineties alternative and grunge covers plus a brief taste of his upcoming album, Bringing Alpha. Throughout the set, Marz (guitar and vocals), Chris Alef (bass), and Jason Tucker (drums) kept the crowd jumping with surprises, medleys, and good old-fashioned rock and roll.

The set began with a brief homage to Black Sabbath before the band segued directly into Seven Mary Three’s “Cumbersome.” Marz captured the gravelly voice of Jason Pollack superbly, and Tucker’s drum fills felt like the perfect marriage between Giti Khalsa and Jon Bonham.

From there, the band reminded fans of GoToZero’s debut album from 2004, The Mean Season, by launching into the staccato-rock “Walk Away.” The band whipped through the song with robotic precision, hitting every stop like clockwork. The song thundered through fast-tempo verses and into half-tempo breakdown choruses. It is unlikely anyone has seen a guitar player jump as high as Marz jumps on every one of those chorus downbeats.

The third song in the set was a cover of Pearl Jam’s “Animal.” This song has been a staple in the band’s set for over a decade. The song was executed beautifully, with tons of high-energy jumps and fills.

After that, they debuted a track, “Cannonball,” from their upcoming album. The song is a dizzying compilation of kinetic guitar-riffing and soaring vocals, mixed with an amazingly musical bass line. It gave the crowd just the barest taste of what’s to come in Marz’s forthcoming double-album, due later this year.

The band then played another throwback tune from The Mean Season, “Then The Sun.” Marz told the audience that this was the first time they played it live but you would never have known it, given the way the band pulled it off.

Then came one of the crowd’s favorite sections of their set. The band started out with a cover of Silverchair’s “Tomorrow,” which the crowd immediately recognized. Alef and Marz’s guitars formed a thick, beefy riff over Tucker’s eerily precise drum rhythm, and the song just exploded with energy. The band segued directly into the title track off The Mean Season. This slow-tempo rocker was definitely a highlight of their set. Marz, Alef and Tucker truly showed that they are a live band that knows how to get the crowd’s attention with this song.

The last few songs continued to grow in kinesis and power as the band covered Smashing Pumpkins’ “Cherub Rock,” and segued into a brief homage to White Zombie’s “Thunder Kiss ‘65” which segued into GoToZero’s fan-favorite show closer “Waste of My Time.”

At the conclusion of that song, the band hit the crowd with a fantastic up-tempo cover of “Sabotage” by the Beastie Boys. The energy was amazing, the stops were precise, and Marz screamed with everything he had in his lungs. Alef just killed it when bringing the song back to life after the bridge. Pure shock and awe, and memorable like you would not believe. Small’s felt very large, indeed, as the crowd jumped with the band on this closing track.


Closing out the night was hometown heavy hitters Artificial Agent. Hailing from the mean streets of Detroit, these guys are a modern-edged hard rock band with a touch of 80’s metal.

Artificial Agent is one hell of a powerhouse live band. Although the band likes to say they are “melting glam rock with heavy metal, one note at a time,” you would think of it more as straight forward hard rock combining both old and new school influences to create a sound that is classic metal for a new generation.

The band is comprised of brothers-in-arms Derek Jendza (vocals) and Brad Jendza (bass, backing vocals) along with Mike Elgert (guitar) and Karl Crafton (drums).

According to an interview Brad Jendza did with Atomic Leg Drop Zine, he is a big believer that if you want something done right, you do it yourself. Jendza further stated “Artificial Agent is about DIY, from the production of our shows to the album productions. We customize our instruments too. Karl applies his own drum wraps. I cover my bass in rhinestones, broken glass, or metal studs. We make our own costumes or have tailors that create them from our designs we draw up. It’s all hard work, but worth it.”

It is this attitude which has made people take notice. The band formed in the summer of 2010, and quickly made a name for themselves in the Detroit music scene and tonight Small’s was standing room only for Artificial Agent.

Already in a party mood thanks to opener Tommy Marz Band, the crowd was ready as Artificial Agent opened up their set with “Out Of Time.” The song has a modern edged sound similar to the heavier side of Papa Roach or Velvet Revolver mixed with a touch of Queens of the Stone Age. Brad’s thunderous bass lines rolled along as Derek’s aggressive sounding vocals were sung with such conviction.

Derek then taught the crowd “How To Be Evil,” a track taken from their debut album Love Won’t Strangle Me. Reminiscent of an Alice Cooper song, the band hit every note with such precision showing their onstage prowess. They followed this up with “Psychomotor Agitation.” This song is a pure rocker with a catchy chorus that gets you singing along. The song is full of attitude but the chorus keeps it playful and fun.

Next up was “Not For The Innocent.” Although a cover of the classic KISS song, the guitar work is reminiscent of Dokken. It’s a good thing Artificial Agent pay homage to both KISS and Dokken as they pulled off this song flawlessly.

You could definitely feel the energy level rise as the band played “Master Blaster.” Elgert’s guitar work began with a Zakk Wylde like thump then quickly switched to a classic KISS like groove. This song has lots of attitude and some in your face guitar work making it a perfect song for the crowd to pump their fist to.

After that, the band played their Motley Crue sounding cover of “Helter Skelter,” which was originally recorded by The Beatles. They quickly followed up with the title track off their newest release, “Brain Grenade.” With its heavy groove, Grenade starts out with a classic bluesy Black Sabbath feel while Derek’s vocals reminded me of the darker side of Alice In Chains.

They followed next with two older songs, “We All Fall Down” and “Love Won’t Strangle Me,” before playing an old favorite, “It’s Good To Be King” from one of Derek and Elgert’s former bands, Proper Villains. “Love Won’t Strangle Me” is an especially harmonious funk-rock tune with Kyuss written all over it.

Derek had the crowd in the palm of his hand as the band broke into “Another Punch In The Face,” a song that hits you right in the face. Elgert’s repetitive guitar intro feels like a runaway train not able to stop on the tracks. The song hits hard from the first to the last note. Brad’s background vocals are a pleasant contrast to Derek’s growling vocals. Derek seemed to growl more on this one, giving it an old-school mid 80’s Detroit hardcore vibe.

They ended their set with “Turbo Slut” before playing their encore. The song is about your classic groupie, but Artificial Agent’s female following has turned it into a sect of the band’s fans. This devoted following attend all of their shows and some might call them the band’s unofficial street team as they help spread the word around about the band.

For their encore they gave the audience their choice of hearing a Motley Crue cover or a KISS cover. The audience had a hard time deciding, so Artificial Agent decided for them. They went way back into the Crue’s catalog pulling out a perfect rendition of “Come On And Dance,” which they executed every stop and start perfectly.

Not ready to let the party end, Artificial Agent decided to reward the crowd with a KISS tune after all. They played “Parasite” which segued into “She.” By the reaction of the crowd, Artificial Agent had hit the nail right on the head.

Artificial Agent took no prisoners this night in Hamtramck. Derek snarled and growled out the words with such vigor, he sounded happy and angry all at the same time. Elgert’s guitar work reminded me of the heavy simplicity of John Christ mixed with the delicate intricacies of George Lynch. Brad’s bass rhythms reminded me of some old-school Kyuss mixed with a modern flare of Velvet Revolver. And, Crafton held down the rhythm with his cool Red Sparkle 26” Bass Drum led Ludwig drum kit keeping the perfect back beat flowing and the band in sync with each other. This, along with outrageous solo’s and killer guitar riffs made you either want to bang your head, pump your fist in the air, or play air guitar with all your might.

Artificial Agent is one of those rare bands that make their CD sound like a controlled rage and when let loose… the walls shake, the earth moves, and you know Rock n’ Roll is alive and well, especially in Detroit.

Artificial Agent
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Tommy Marz Band
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Small’s Bar
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About The Author

Erik's interest in music began at an early age. In high school, he was the co-host of the underground metal show the Social Mutilation Hour, on 89.5 WAHS, under the name of Neurotik Erik. During this period of his life, he independently promoted shows under the name of Ding Dong Ditch Productions. Erik would rent out local VFW Halls, use space at Oakland Community College Auburn Hills Campus, or simply throw basement parties around the Detroit area. While at college at Ferris State University, he became head of the student run organization, Entertainment Unlimited, and continued to promote shows, but on a larger scale. He also helped start an underground magazine, 'Outpunk', where he interviewed bands and wrote music reviews. Additionally, Erik joined the staff at the Ferris State University Torch and wrote on a larger scale.

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