If you live in Las Vegas or are one of the many tourists that keep this city thriving, you may already know of Frankie Moreno. For everyone else here’s your chance to get acquainted.  With classic good looks and a heartwarming smile, he’s got the image thing covered.  But can he play?  Ah, yes he can.

Frankies’ career boasts an impressive list of accomplishments.  Most recently these include being named 2012’s Las Vegas Entertainer of the Year for his long running headline show at the Stratosphere Hotel and Casino, a Billboard #1 hit covering The Beatles Eleanor Rigby with violin virtuoso Joshua Bell, and a spotlight performance of his original song Tangerine Honey on NBC’s Dancing with the Stars.

But, even with a such powerful resume, Frankie is still virtually unknown outside of Las Vegas because he’s never really gone out on tour as himself. This is going to change.  His show at the Stratosphere is now set up to allow time to tour.  European, as well as U.S. shows, are currently being put into place.

With a new EP in the final mixing stages and some very important, super secret, network television appearances on the horizon, it seems Frankie is finally on the cusp of what he’s been working his entire career for.

I recently spoke with Frankie to get the story on where he’s been, what he’s doing, and what lies ahead…

Lets start with some history:

“I was one of those little freaks that could play piano at 3 years old.  I learned all the instruments really young. I mean I was pretty strong.  Sight reading, ear, and theory, on the piano, by about 7 or 8 years old. So, I started instantly moving into guitar, bass, and drums.  But, as I learned all the different instruments, I started getting creative and writing.”

At 10 years old Frankie performed on Star Search and by 17 was recording his own albums on cassette at home and selling them at his shows.  When he turned 18, he moved out of Santa Cruz, Calfornia to Nashville, Tennessee and began his career as a staff writer for TV shows and working on his own sound as well.

“[Growing up I listened to] 50’s rock and roll.  Ray Charles, Jerry Lee Lewis, Elvis Presley.  I never really sang anybody else’s songs.  I always wrote, but all my dad played was that 50’s 60’s rock and roll.”

“Then (when) you start writing 50’s or 60’s music, what does that become?  In the mid 90’s  it was country.   I wasn’t really a cowboy hat, honky-tonker, but I mean the closest thing (to what I was doing) was country music . Garth Brooks had just come out and was dominating the music industry.  Country was the primary thing. I mean I was more country than I was rock.”

Even now?

“No!  Not now.  At that time.”

“My problem was I was really into classical.  I was really into Elvis and I was really into Mozart and Jerry Lee Lewis.  I’m like ‘How do I do this?’  So I’d do a little bit of that, a little bit of this, and it was just kind of wishy-washy.  All over the place. It wasn’t until a couple years ago that I started honing and combining everything together.”

And then he met Pat.  Frankie is currently working with legendary producer/engineer/musician, Pat Thrall.  Thrall has worked with everyone from Celine Dion, Rhianna, and Justin Bieber to Glenn Hughes, Meatloaf, and Pat Traverse.  He is producing, engineering, and mixing Frankie’s new, yet untitled, EP, which is set to be released in March or April of this year on Frankie’s own Bermuda Records.

“I record in my home studio.  I bring it to Pat and he does his thing.  He starts taking (the songs) and putting in a little bit more of that old Ray Charles feel.  Like if Amy Winehouse was a dude that played piano like Jerry Lee Lewis.  We’re going for that retro sound.  Like, it sounds old, but it isn’t old.  What he’s doing is he’s taking the songs, mixing them to sound like old 1950’s or 60’s records and then remixing those to sound modern.  Really cool way of doing it.  We’re doing this five-song EP and we want this to be released just as all these television shows start hitting.”

But, how does a child prodigy pianist who’s primarily influenced by the classical music of Beethoven and Mozart as well as the innovators of rock music such as Jerry Lee Lewis and Elvis Presley find his own sound?

He goes back to his roots.

“When I was 10 years old I was doing the 50’s and 60’s.  That’s what I am.  A high energy piano player.  Kind of a piano playing Brian Setzer.”

On this newest EP Moreno’s  aiming for that same sort of vibe produced by the rock and rollers of days gone by;  using his own band and recording live to achieve that looseness so prominent in the old recordings.  With Pat Thrall’s help of course.  Regarding Pat’s producing style on this EP says Frankie, “I love how he’s mixing it to sound vintage. Those old sounding horns.  It’s really a cool process.”

But is it Rock-a-billy?

“No.”

So now that we have history and works in progress covered, what about this amazing Stratosphere show?

“We’re super high energy.  Like Green Day.  If Green Day did Elvis covers.  We only do three covers and the rest is all original.  It’s edgy lyrically, but not so edgy that is turns away a certain demographic.  One of our biggest fans is Vinnie Paul (Pantera).  Vinnie Paul, DJ Ashba (Sixx:AM, Guns and Roses); those guys come to my show all the time.  We bring up all these rocker guys and they love it.  Why?  Cause it still has an edge.”

Outside of music Frankie has a few interesting side ventures as well.  A striking line of signature suits and Swarovski Crystal embellished bottles of sparkling wine.  How did these projects come to light?

“I started making my own suits for stage because I needed certain things to move and to breathe better, but I wanted that cut classic 60’s look.  You can’t just go into the store and find that.  Then a lot of the entertainers in town started asking, ‘Where are you getting that suit?’.  So we created this line called ‘Virtuoso’.  It’s on my website.  You can order them there.”

“The sparkling wine is in all the stores.  It’s called Frankie Moreno. They came to me and it was funny cause all we drank was whiskey.  But it’s cool.  A cool side project.”

All clothing and alcohol ventures aside we get back to the music. You can tell a lot about a musician by one simple question:

Hey Frankie, what are your top three concerts?  Without hesitation it goes like this: “Bruno Mars at the MGM Grand, Paul McCartney, and Green Day on the ‘American Idiot’ tour.”

Well done Mr. Moreno.

If you’d like to catch Frankie in concert, for now you’ll have to book a flight to Vegas.  But, hopefully soon, he will  be visiting a venue near you. “It’s cool being here and I like being here.  But there’s something about getting on a bus and not knowing what the stage is going to be tonight or what the crowd is going to be like tonight.”

If you can’t make it to Vegas and his tour has not yet started, look for him on a television near you.  You’ll see him.  It’s gonna be big.

About The Author

Originating from Michigan, Kelly is currently residing in Las Vegas, NV. Her passion for music began at a Motley Crüe show, and since then has attended hundreds of shows, met many musicians along the way, and has continued her drive to keep rock music in the limelight. Her experiences contribute to her success as a book reviewer for Vegas Rocks Magazine and as one of the Assistant Editors for the NRR.

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