scottstapp-proofoflife-albumartworkThis is the solo album Scott Stapp was meant to record! Proof of Life is a rock album to make any Creed fan happy. His lead vocals have become a distinguishing factor of Creed’s music and Stapp does not disappoint on this album. Stapp has crafted a predominately hard rock album that has elements of alternative rock and modern middle-of-the-road (MOR) pop-rock. He tells us a story with lyrics documenting his journey through fame, addiction, depression, his attempted suicide, and the rediscovery of his faith.

Slow Suicide was released as the first single. This is an honest place for him to start, directly tackling his darker days of struggling with depression, alcohol, and drug addiction. It is supported by an aggressive guitar riff and Stapp’s instantly recognizable voice. This powerful ‘take charge’ first track on the CD lays down a solid foundation for Stapp to start his story.

Who I Am is an adrenaline fueled ‘rocker’ where Stapp details his bouts with self-destruction over a barrage of battering-ram guitars. Stapp tells us that when fame came, he “tripped out on ego.” On this track, Stapp wanted to, “expose ego for what it is; give ego a voice; let ego unleash it’s rage and express it’s need to possess his soul.”

Proof of Life ponders the question, “Are you playing the victim when you know that you volunteered?” ‘Victimhood’ did him in for years. “You couldn’t tell me that I was responsible for the choices I’d made. Yet until I owned up to that responsibility, I couldn’t accept my story. My day-to-day recovery is anchored in the acceptance of my past as the necessary link to my present and future.”

New Day Coming takes charge of his life. It meshes together Stapp’s “head in my hands” pain of his past with him finding self-empowerment. “I’ll get back up, for good this time. I Ain’t coming down. I’ll get back up, because my whole life I was lost but now I’m found. It’s the dawn of a new day.”

Only One touches the spiritual side. This is where the MOR sound kicks in giving the song a Matchbox 20 feel. Stapp was at such a low point in his life that a change was needed. “Even when you feel so low like you might let go, I will be the first hand reaching out. I will be the last one giving up on you. Even when you feel your breath fading from your lungs, I will be the first, last, first, last and only one.” Even though the ‘I’ is left vague, there are enough context clues pointing to the ‘first’ and ‘last’ hand belonging to the One that is truly First and Last.

Break Out pushes his darker days further behind him. He defiantly states, “I’m gonna break out. I’m gonna break free. Not gonna think twice. You’ll never stop me. Don’t even try. I’ll knock you down. I’m saying hello to a new dream. I’m taking it back what’s left of me. Don’t even try. You can’t stop me now!”

Hit Me More starts out with a slight rockabilly flare to it along the lines of something Volbeat would have recorded. This is my favorite track on the album. It shows Stapp not only branching out musically, but vocally and gives the listener a better perspective of what Stapp has to offer. This is a very personal song for Stapp. He revisits a horrific time in his life when he attempted to commit suicide by jumping ten stories off a hotel ledge in Miami Beach. In his memoir, Sinner’s Creed, Stapp tells us that in 2006 he jumped off the 16th floor of the Delano Hotel. Stapp states he feels he was spared by God and that he feels an obligation to share his story in hopes to help others that are suffering. He says he cannot think of any other reason except to give back and walk others out of the darkness so they don’t have to experience those lows as he did.

Jesus Was A Rockstar starts out with a drumbeat similar to Led Zeppelin’s When The Levee Breaks. Ironically, Stapp tells us who the real rockstar is. Not him, but Him! Stapp reached super-stardom, with Creed, and has been glorified by millions. In this song, Stapp lays the case that Jesus is the one whom we should be glorifying, not him.

What Would Love Do is a wonderful song about stepping back and asking what “would love do?” Stapp personifies ‘love’ as an entity in his lyrics by referring love to “it”. “What would love do, If it were here in this room, Standing between me and you. What would love do? It would look in my face and stop me from hurting you. That’s what love would do.” Because of Stapp’s spiritual side, one might take ‘it’ for ‘Him’ and look at it as a reference for God. Either way, this is an endearing song I can easily see getting major radio play if it were to be released as a single.

Crash comes from another near-death experience. Stapp tells us that he came off the Creed tour in 2002 and wanted to “keep the machine going.” He did not want to let everybody down and decided to take “whatever drugs the rock docs wanted to give him” to keep him going. He further tells us that he did not understand the consequences of the medications that he was taking and what they were doing to his psyche. His body failed him onstage in Chicago. To the public, he looked like an arrogant, drunk rock star who was acting like an idiot. After going through 45 straight days of withdrawal, Stapp says the thought of ending his life became a harsh reality.

Dying To Live ends the album on a positive note with him approaching his life with a new and fresh perspective. Stapp finds himself, “dying to breathe in every moment, dying to make up for lost time, dying to let go and finally feel what real love is, dying to start this whole thing over, dying to see with brand new eyes, dying to love myself enough just to forgive, dying to live.”

In summary, Scott Stapp returns without the ‘Creed’ banner. His singing style is one of the album’s consistent features. His voice is as solid as it ever has been. The album’s theme is a journey to Stapp’s recovery and confronting that period in his life. He takes what became a mess and turns it into a message. Stapp tells us he feels like, “the album proves that the last 10 years mattered and that all of the struggle mattered and I didn’t waste all that time. It’s a story and a journey and an education and proof that there was life in that period and that is also going to affect the rest of my life in such a profound way as to never allow me to go back to that place in which these revelations were born. That’s dynamic change, and, for me, unprecedented growth.”

Stapp says some of the players on the album, including Kenny Aronoff, Josh Freese, Phil X, and Ken Pierce, will be part of his band when he starts his tour in March. This tour will bring him to the Machine Shop, in Flint, Michigan, on 29-March-2014. Stapp has added Like A Storm as direct support for this tour. Like A Storm opened up for Creed on their 2009 reunion tour as well as Creed’s 2012 Full Circle tour. Local heavy-weights, Frequency 54, have been added as local support. Tickets are $25 in advance, and can be purchased at the Machine Shop during business hours, at Paradise Express (3600 S. Dort Highway, Flint_MI in the Dort Mall across from the Machine Shop), High Octane Apparel (3502 Thompson Rd, Fenton_MI), or through www.etix.com.

About The Author

Erik’s interest in music began at an early age. In high school, he was the co-host of the underground metal show the Social Mutilation Hour, on 89.5 WAHS, under the name of Neurotik Erik. During this period of his life, he independently promoted shows under the name of Ding Dong Ditch Productions. Erik would rent out local VFW Halls, use space at Oakland Community College Auburn Hills Campus, or simply throw basement parties around the Detroit area. While at college at Ferris State University, he became head of the student run organization, Entertainment Unlimited, and continued to promote shows, but on a larger scale. He also helped start an underground magazine, ‘Outpunk’, where he interviewed bands and wrote music reviews. Additionally, Erik joined the staff at the Ferris State University Torch and wrote on a larger scale.

Related Posts